Zanele Muholi, Exhibition, Tate Modern, London: until 31 May 2021

This is archived material. It is for reference purposes only.

For the first time, Tate Modern welcomes the work of award-winning South African activist Zanele Muholi, whose photographs explore the meaning of gender, sexuality and ethnicity. 

Since completing an Advanced Photography course in Johannesburg in 2003, Muholi has used photographs to shed light on the abuse that minority groups experience in South Africa. In their first solo exhibition ‘Only Half the Picture’, Muholi featured photographs of survivors of hate crimes to highlight people’s reluctance to report cases of violence against the black queer community. Muholi has also photographed themself to raise awareness of other social issues, and in their exhibition ‘Somnyama Ngonyama’, Muholi’s self-portraits ask you to think about how stereotypical standards of beauty often ignore people of colour. Muholi is more than just a photographer, and has co-directed documentaries about the difficulties experienced by black lesbian women in South Africa.

This exhibition presents over 260 photographs from the start of Muholi’s career, offering you an intriguing interpretation of the relationship between identity, freedom and oppression.

 Zanele Muholi Ntozakhe II, Parktown 2016. Courtesy of the Artist and Stevenson, Cape Town/Johannesburg and Yancey Richardson, New York (c) Zanele Muholi
Zanele Muholi Ntozakhe II, Parktown 2016. Courtesy of the Artist and Stevenson, Cape Town/Johannesburg and Yancey Richardson, New York (c) Zanele Muholi

Temporarily Closed !

Opening Hours

Monday:
10:00 - 18:00
Tuesday:
10:00 - 18:00
Wednesday:
10:00 - 18:00
Thursday:
10:00 - 18:00
Friday:
10:00 - 22:00
Saturday:
10:00 - 22:00
Sunday:
10:00 - 18:00

Divento Review of Reviews

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    Our Rating:
    logo 65 %
    "In the dignified, inspiring films sharing queer South Africans’ stories."
    Nancy Durrant,the Standard
    "To my mind, the self portraits work best when printed very large and hung on a white wall."
    Sarah Kent,The Art Desk
    "It is a kind of visual diary dealing with issues of racism and photography’s history."
    Pumla Dineo Gqola,the NY Times
    "This is an act of solidarity, an honouring of the 34 striking miners murdered by South African police at the Marikana mine in 2012."
    Laura Cumming,the Guardian