After an illustrious Don Giovanni, Peter Mattei takes on the role of the Count under the baton of Gustavo Dudamel and in Netia Jones' new production which blurs the lines between reality and fiction.
The Marriage of Figaro marked the beginning of a fruitful collaboration between Mozart and his librettist Lorenzo Da Ponte, which would continue with Don Giovanni and Cosi Fan Tutte. With his unrivalled instinct for the stage, the composer transcended the codes of opera buffa to elevate the genre to a comedy of manners, with a psychological insight as vivid as Beaumarchais'. He succeeds in reconciling poetry, theatre and music, both in the recitatives and in the many arias, duets and ensembles that we all know and love. After an illustrious Don Giovanni, Peter Mattei takes on the role of the Count under the baton of Gustavo Dudamel and in Netia Jones' new production which blurs the lines between reality and fiction.
Opera in four acts
After Pierre Augustin Caron de Beaumarchais Le Mariage de Figaro
Libretto:
Lorenzo Da Ponte
Music:
Wolfgang Amadeus Mozart - (1756-1791)
Conductor:
Gustavo Dudamel
Director:
Netia Jones
Set design:
Netia Jones
Costume design:
Netia Jones
Video:
Netia Jones
Lighting:
Lucy Carter
Choreography:
Sophie Laplane
Dramaturgy:
Solène Souriau
Chorus master:
Alessandro Di Stefano
Il conte di Almaviva:
Peter Mattei
La contessa di Almaviva:
Maria Bengtsson
(21 Jan. > 9 Feb.)
Miah Persson
(12 > 18 Feb.)
Susanna:
Ying Fang
Figaro:
Ildebrando D’arcangelo
Cherubino:
Lea Desandre
Marcellina:
Dorothea Röschmann
Bartolo:
James Creswell
Don Basilio :
Michael Colvin
Don Curzio:
Christophe Mortagne
Barbarina:
Kseniia Proshina
Antonio:
Marc Labonnette
Due Donne:
Andrea Cueva Molnar
Ilanah Lobel-Torres