Book your tickets now for Kurtág's first opera, based on Beckett's Endgame.
At the age of 90, Hungarian composer György Kurtág presents his first opera, based on Samuel Beckett's 1957 work of the same name. The score abounds in popular influences and allusions to great composers, from Wagner to Debussy and Mussorgsky. The orchestra, interacting with the performers, endows the drama with great expressiveness and a vocal line close to spoken language. The Paris Opera is inviting the same artistic team - conductor and cast - that triumphed at the premiere of the work in Milan in 2018, then at its revival in Amsterdam, in Pierre Audi's wonderfully understated production.
Opera in one act
After Samuel Beckett, Endgame
Music:
György Kurtág - (1928)
Conductor:
Markus Stenz
Director:
Pierre Audi
Set design:
Christof Hetzer
Costume design:
Christof Hetzer
Lighting design:
Urs Schönebaum
Dramaturgy:
Klaus Bertisch
Hamm:
Frode Olsen
Clov:
Leigh Melrose
Nell:
Hilary Summers
Nagg:
Leonardo Cortellazzi